Australian and International Fine Art (Section 1)

ID - 479677 - Norman Lindsay (1879-1969, Australian) 'Memories', facsimile etching number 130/550, impressed seal LR, image size 24.4 x 18 cm

Dimensions of frame

ID - 479678 - A lovely hardcover copy of 'Great Prints & Printmakers' by Herman J. Wechsler, c.1967, published by Harry N. Abrams, New York, NY; USA

In plastic slipcover, good used condition with some discolouration to cover

ID - 479679 - A hardcover cased copy of 'The New McCulloch's Encyclopedia of Australian Art' by Alan and Susan McCulloch and Emily McCulloch Childs, published by The Miegunyah Press, c.2006

In good used condition

ID - 479680 - Three books for the aspiring artwork collector: a copy of 'The Complete Guide to Painting and Drawing Techniques and Materials' by Colin Hayes, published by Phaidon c.1981, and 'The Complete Guide to Prints and Printmaking', published by Quill Publishing, c.1981; and 'How to Identify Prints' by Bamber Gascoigne, published by Thames and Hudson, c.1998

ID - 479681 - An original artwork by Patricia Vaughan Flood (b.1919 - d.2017), plus an assortment of excellent books for the collector of Australian art: a copy of 'Australian Painters' by James Gleeson, published by Lansdowne Press, c.1982; and three copies of 'Artists & Galleries of Australia' including one in two volumes, published by Craftsman House, c.1990; with a small mixed media artwork, signed and dated by 'Patty' to reverse

ID - 479682 - Three books on turn of the century Germanic art and design: 'Weiner Werkstatte' by Gabriele Fahr-Becker, published by Taschen, c.2003; 'Vienna: Art and Design' exhibition catalogue by the National Gallery of Victoria, c.2011; and 'Secession: Modern Art and Design in Austria and Germany 1890s-1920s' by Christine Dixon, published by Thames and Hudson, c.2000

All in very good used condition

ID - 479683 - Artist Unknown, after Grace Cossington Smith (1894-1984, Australian) 'Interior in Yellow', synthetic polymer on canvas, unsigned

Dimensions of Frame

ID - 479684 - Artist Unknown, after 'Nocturne in Pink and Gray (Portrait of Lady Meux)' by James Abbot McNeill Whistler (1834-1903, American) reduced, oil on board, signed to lower right 'Wilson'

Valerie Susan, Lady Meux (b.1852 - d.1910) was an English socialite and commissioner of some of Whistler's most iconic portraits; the original portrait is in the Frick Collection, New York

Minor wear to frame edges, chip to bottom edge

Dimensions of frame

ID - 479685 - Norman Lindsay (1879-1969, Australian) 'Lesbia', facsimile etching number 25/550, impressed seal LR, image size 13.4 x 16.4 cm

Dimensions of frame

ID - 479686 - Norman Lindsay (1879-1969, Australian) 'Enter the Duke', facsimile etching number 381/550, impressed seal LR, image size 32.5 x 25.8 cm

Dimensions of frame

ID - 479687 - Norman Lindsay (1879-1969, Australian) 'Summer', facsimile etching number 357/550, impressed seal LR, image size 16.5 x 14.8 cm

Dimensions of frame

ID - 479688 - Norman Lindsay (1879-1969, Australian) standing nude, facsimile etching number 24/550, impressed seal LR, image size 11 x 7 cm

Dimensions of frame

ID - 479689 - Wendy Sharpe (b1960, Australian) 'Woman and Child with Neon Sign', mixed media on paper,

Dimensions of frame

ID - 479690 - Wendy Sharpe (b1960, Australian) 'The Guardian of Departed Spirits', gouache on gold card, SLr 'W Sharpe', hand torn edges to card, dimensions of card 10 x 7 cm

Dimensions of frame

ID - 479691 - Wendy Sharpe (b1960, Australian) 'Earth, Wind and Fire', gouache on gold card, SLL 'W Sharpe', dimensions of card 7 x 10 cm

Dimensions of frame

ID - 479692 - Diana Gyngell Taylor (contemporary, Australian) 'Eucalpytus Macrocarpa', c2000, screenprint on paper, editioned 4/15 and signed 'DGT' under print margins, cellophane wrapped with matboard, ready to frame

Image dimensions of interior borders.: 20.5cm (W) x 27.5cm (L)


Dimensions of mattboard

ID - 479693 - Andrew Baldwin (b.1977, Scottish/Australian) 'Mandi Wave' studio handblown glass bowl c.2017, features clear and blue tones with swirl design

ID - 479694 - A very fine studio art glass walking stick, cane formed with complex central twist of white, red and blue glass ribbon form, irregularity or chip to base, hanging loop of plastic covered wire, attributed to an apprentice or student work, possibly on graduation/completion of apprenticeship

ID - 479695 - A very fine and elegant studio art glass walking stick with shepherd's crook handle and twisted tips, a strip of white glass encased in clear glass, attributed to an apprentice or student work, possibly on graduation/completion of apprenticeship, hanging loop of pipe cleaner wire, small chip/irregularity at tip of crook

ID - 479696 - A slender studio art glass walking stick with, a twist of candy pink and white glass down the length of the cane, pointed tip, attributed to an apprentice or student work, possibly on graduation/completion of apprenticeship, hanging loop of pipe cleaner wire

ID - 479697 - A striking studio art glass walking stick with clear glass, slightly ribbed, hollow form filled possibly with 'hundreds and thousands', knobbed grip, attributed to an apprentice or student work, possibly on graduation/completion of apprenticeship, hanging loop of plastic coated wire, sealed with a ball of cotton wool or glass wool, discolouration to inclusions

ID - 479698 - Two studio art glass walking sticks, both hollow mouth blown glass with coloured inclusions, possibly 'hundreds and thousands', some signs of discolouration to both sets of inclusions, lower portion appear moist in one, hanging loops of coated wire, attributed to apprentice or student works, possibly on graduation/completion of apprenticeship

ID - 479699 - A colourful studio art glass walking stick, cane formed from a twist of white, red and cobalt blue glass encased in clear glass, attributed to an apprentice or student work, possibly on graduation/completion of apprenticeship, hanging loop of plastic coated wire, small chips to base of stick

ID - 479700 - A fine studio art glass walking stick, cane formed from very fine ribbons of red, blue and white glass twisted around a clear glass rod, attributed to an apprentice or student work, possibly on graduation/completion of apprenticeship, hanging loop of plastic coated wire

ID - 479701 - Kevin Charles 'Pro' Hart (1928-2006 Australian) 'Two Ants', hand coloured etching, unsigned, vendor supplied certificate of authenticity attached to verso, signed by publisher Robert C Littlewood, The Lytlewode Press, Press Catalogue SERIES 2 Number 10, unsigned printer's proof, dimensions of plate margins 14.5 x 10 cm

Dimensions of frame

ID - 479702 - Kevin Charles 'Pro' Hart (1928-2006 Australian) 'Smoko', etching with plate tone, unsigned, vendor supplied certificate of authenticity attached to verso, signed by publisher Robert C Littlewood, The Lytlewode Press, Press Catalogue Number 37, unsigned printer's proof, edition of one hundred, dimensions of plate margins 20 x 14.5 cm

Dimensions of frame

ID - 479703 - Kevin Charles 'Pro' Hart (1928-2006 Australian) 'Waltzing Matilda Series - His Ghost May Be Heard', hand coloured etching, signed in plate 'Pro Hart 77', vendor supplied certificate of authenticity attached to verso, signed by publisher Robert C Littlewood, The Lytlewode Press, Press Catalogue SERIES 1 Number 30, unsigned printer's proof, dimensions of plate margins 13x 14.5 cm

Dimensions of frame

ID - 479704 - Kevin Charles 'Pro' Hart (1928-2006 Australian) 'Dragonfly on Blue Background', hand coloured etching, unsigned, vendor supplied certificate of authenticity attached to verso, signed by publisher Robert C Littlewood, The Lytlewode Press, Press Catalogue Number SERIES 3 Number 5b, unsigned printer's proof, edition of one hundred, dimensions of plate margins 15 x 9.5 cm, minor mark to LR of paper, below image margins

Dimensions of frame

ID - 479705 - Sandra House (b1942, Australian) ''Tharwa Scene', oil on canvasboard, SLR 'Sandra House', framed under glass, title inscribed to verso

Dimensions of frame

ID - 479706 - Sandra House (b1942, Australian) ''from Strathnairn Hold', oil on canvasboard, SLR 'Sandra House', framed under glass, artist name, title inscribed to verso

Dimensions of frame

ID - 479707 - Attributed to Tony Convey (b1946, Australian), a lively depiction of an Australian landscape with variety of characters, oil on masonite, SLR, possibly 'AC'

Dimensions of frame

ID - 479708 - Kevin Charles 'Pro' Hart (1928-2006, Australian) 'Mining Town', oil on canvasboard, SLC 'Pro Hart'

Dimensions of frame

ID - 479709 - Mark Waller (contemporary, Australian) 'Pandanus', synthetic polymer on canvas, SLL 'M Waller', unframed, stretched and ready to hang

ID - 479710 - David Hart (b1971, Australian) 'Dragonfly', oil on canvasboard, SLL 'David Hart'

Dimensions of frame

ID - 479711 - Julian Davies (b1954, Australian) stunning large studio earthenware vase with glazed neck and loose gestural mark-making in black to body, roughly ovoid, maker's stamp to base near rim, no chips, cracks or repairs

ID - 479712 - Julian Davies (b1954, Australian) large studio ceramic sculptural form with gestural mark making and textural modelled surface in relief, partially glazed inn deep teal, suggesting an abstract landscape, maker's mark to base near rim

ID - 479713 - Julian Davies (b1954, Australian) beautiful vase form with subtle glazeng, loose gestural mark-making in sepia glaze over grey-blue ground suggesting a mountainous landscape, no chips, cracks or repairs

ID - 479714 - A magnificent pieced studio ceramic panel resembling an abstract dragon head, loose thin moss-green glaze, no identifiable maker's mark or signature, small chip to one element at top of form